it’s such a heavily used trope in modern media (off the top of my head I can think of Pokemon, Annihilation, Bambi, Snow White and the Huntsman, etc) and why wouldn’t it be! antlers look like branches, branches look like antlers, it’s only natural to pair them
but it makes me strangely emotional that our brains have always worked this way, and been drawn to the same imagery over and over again.
I’m also going to resist the urge to make paired enamel pins of these ancient deer, even though I deeply desire little wearable tributes of the past
there are no mobs in the cities. something is stopping them; something is either killing them or maybe even they know not to venture down there, that it’s too dangerous.
but down there, there are candles. there are wool pathways. there are redstone lamps. whatever civilization lived down there was smart, much more advanced than villagers. they had thick walls, and figured out that wool kept Wardens away, and made enchantments to allow them to run quickly and quietly. they had nether blocks, basalt and soul fire, and their buildings nearly resemble nether fortresses, or bastions. there were whole communities that thrived in spite of the threat, until they didn’t, of course.
did they live in fear of the Warden? if so, why didn’t they leave? could they leave? did they try to make a portal to do just that? their cities are intricate and their floors are lined with wool that children could run across and stumble over without worry and did they whisper, constantly? did they teach children legends of the beasts that would come if they didn’t quiet down? did the children believe them? did they make candles on holidays and dare each other to set the skulk sensors off with small dripstone pieces? did they keep bees, or did they ration their wax carefully, trying to learn the secrets of redstone and soul fire to keep their lanterns burning before they ran out? how far did they get in their knowledge? why didn’t they leave? what were they staying for, what were they trying to find with that portal?
its fast fashion to YOU. im wearing a forever21 sweater i got during the bush administration.
in the words of my sister: they don’t tell you that when you buy a pair of athletic shorts from tj maxx in middle school that you will wear them until you are thirty
There was some recent discussion on the Palaeoblr Discord server about the ridiculous amounts of “shrink-wrapping” that a lot of prehistoric animals get in palaeoart.
A QUICK EXPLANATION:
For those of you who don’t know, shrink-wrapping is a word used in palaeoart to refer to a reconstruction where the skin of an animal is shown basically clinging to the skull or the skeleton, as if it has been shrink-wrapped onto the animal. Here’s a good example of shrink-wrapping in modern palaeoart:
Although this is a fairly tame example, the shrink-wrapping is still visible. See how the skin traces around every hole and dimple in the skull, the teeth are exposed and you can see the outlines of the shoulderblade, backbone and hips? That’s shrink-wrapping. In real life, these bones were probably covered in muscle and fat, like in most modern animals.
OKAY, BACK TO THE STORY:
So, in the light of this rampant shrink-wrapping epidemic, fellow palaeoblr artist @cheetahtrout decided to take suggestions for animals to “un-shrink-wrap”, restoring them with a proper amount of muscle and fat. I joined in, and we both drew the same animal, then compared the results.
First up, we drew Titanophoneus, a large predatory synapsid, based on this skeletal diagram. I gave it a big, thick neck and some powerful jaw muscles, filling out the shape of the head. I also covered up the teeth with some nice thick lips, to protect them from drying out. If you look, you’ll notice that most modern mammals have lips covering their teeth, even animals like hippos and baboons, which have enormous teeth for their size.
The other challenge was the gorgonopsid Sauroctonus. The reference was this skeletal diagram. Gorgonopsids are very often shrinkwrapped in palaeoart, usually to make them appear more menacing, as they were the apex predators of their time. The shrinkwrapped example I showed at the start of this post is also a gorgonopsid. @ridiculouslyphotogenicsinosaurus joined in on this one.
And here it is! Compare this Sauroctonus to the gorgonopsid at the start, and you should be able to see some key differences. This guy has a lot more bulk to him, since in modern animals the shape of the skeleton is often covered up with muscle, skin, and fat. Gorgonopsids were most likely built for power rather than speed, so they would have been quite thick and muscular.
The other main difference is in the mouth. I’ve drawn an open mouth for this guy as well to make it easier to tell what’s going on. The lips droop down and cover the teeth when the mouth is closed, and when it’s open you can see that the actual mouth does not go all the way back to the edge of the jaw like it does in many shrink-wrapped restorations.
After all that I though I should try taking the idea of ‘anti-shrink-wrapping’ to its extreme. And so, I proudly present to you … the Bullet Man
this is what the Psittacosaurus actually looked like trust me I was there
so beautiful
imagine, if you will, that millons of years in the future, in the mind of an archaeologist gone too far, the concept of a spherical cow is reborn
So I found this reddit post after my brother told me Jason Alexander is a professional poker player. And I couldn’t believe it because it sounds so outlandish right. But I found this fucked up website
Which had the clip where this occurred. These were all recorded and uploaded in 2005, I don’t think it’s available on any streaming service or anything. So here you go. Jason Alexander crying like a baby to make a woman lactate, in order to win a charity poker game
